Pascal Dombis
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30 avril 2022
Post-Digital, MACS – Museum of Contemporary Art Sorocaba
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13 juillet 2020
Chateau Aunoy
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11 juillet 2020
Futurs Antérieurs
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2 mai 2020
Double Connection, Shanghai
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8 mai 2019
The Invisible Generation, 2019
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25 mai 2018
essai
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20 mars 2018
Pascal Dombis’s Monograph
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25 novembre 2017
Image is Time
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12 juillet 2017
Time Is Time Was
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7 juin 2017
Crack Time
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14 janvier 2017
Perspectives Inversées, Jardin du Palais-Royal, Paris
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23 octobre 2016
Irrational Geometrics, Perth
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26 septembre 2016
Ligne-Flux, 2016
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24 août 2016
Reality is a Scanning Pattern
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16 novembre 2015
The Limits of Control
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9 octobre 2015
Mixed_Grill(e), 2015
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19 septembre 2015
The End(less), 2013-2020
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18 septembre 2015
CONTROL
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12 mars 2014
Mixed_Grill(e)
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3 décembre 2013
Post-Digital Surface, 2009-2016
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18 novembre 2013
Glitch_Stitch
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6 septembre 2013
Post-Digital,TZR Galerie Kai Brückner, Düsseldorf, 2013
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20 juin 2013
Année Le Nôtre, 1613 – 2013, les Nouvelles Folies Françaises
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2 juin 2013
Noise, 55th Venice Biennale of Art, Collateral Event
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10 avril 2013
Eurasia, 2012
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14 mars 2013
Line_Wave, 2012-2013
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13 décembre 2012
Géométries Irrationnelles, Vitry-sur-Seine, FR, 2008
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13 décembre 2012
Time Spirals, The Cat Street Gallery, Hong Kong, 2009
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13 décembre 2012
Image-Flux, Galerie RX, Paris, FR, 2009
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13 décembre 2012
Gott ist Tot, Claudio Bottello Contemporary, Turin, IT, 2011
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13 décembre 2012
EXCES, Die Galerie, Seoul / Seok Gallery, Daegu, KR, 2010
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5 décembre 2012
Extra_Vague, Galerie RX, Paris, 2012
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5 décembre 2012
Eurasia, TZR Galerie Kai Brückner, Düsseldorf, 2012
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4 décembre 2012
Eurasia, The Cat Street Gallery, HK, 2012
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20 novembre 2012
Text(e)~Fil(e)s, 2010
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19 novembre 2012
CensorZip, 2009-2011
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14 novembre 2012
Dual (Beyond), 2009-2014
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13 novembre 2012
Google_Color, 2007-2011
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12 novembre 2012
Dual_Google (Beyond), 2008-2013
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6 novembre 2012
Square (Belaga), 2002-2005
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3 novembre 2012
McLove, 2004-2007
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2 novembre 2012
Antisana Virus, 2001-2003
![Post-Digital MACS – Museum of Contemporary Art Sorocaba / Av. Dr. Afonso Vergueiro, 280 – Centro, Sorocaba – SP, Brazil 2 Apr. > 19 Jun. 2022 / Curator : […]](https://dombis.com/wp-content/uploads/2022/04/02_Post-Digital_MACS_ExhibitionView_3101-230x160.jpg "Post-Digital, MACS – Museum of Contemporary Art Sorocaba")
![Double Connection is a permanent public artwork is composed of 2 large structures made of transparent glass, printed in random color on one face and white on the other. Based […]](https://dombis.com/wp-content/uploads/2020/05/01_PascalDombis_DoubleConnection_D_10_490-230x160.jpg "Double Connection, Shanghai")
![The Invisible Generation is a site specific installation in which Pascal Dombis questions our relationship with images and how we see them today. Reading digital images becomes quite […]](https://dombis.com/wp-content/uploads/2019/05/01_InvisibleGeneration_05_490-230x160.jpg "The Invisible Generation, 2019")
![232 pages (200 color ill.), 19 x 27 cm, bilingual edition (English / French) ISBN: 978-2-4903530-0-2 Texts by Henri-François Debailleux, Dominique Moulon, Didier Girard, Joseph Nechvatal, Blackhawk, Patrick Amine, […]](https://dombis.com/wp-content/uploads/2018/03/1_Monograpgh_5616-230x160.jpg "Pascal Dombis’s Monograph")
![Time Is Time Was invites us to reflect on our relationship with time through the contemporary digital and technological worlds in which we are immersed. The exhibition draws […]](https://dombis.com/wp-content/uploads/2017/07/01_TimeCube_01-230x160.jpg "Time Is Time Was")
![Pascal Dombis stoppt das Hamsterrad der digitalen Neuordnung Die Möglichkeiten der Steuerung durch eine Akkumulation von Kapazität und Kapital in den Händen von Google und Co. entzieht sich in […]](https://dombis.com/wp-content/uploads/2017/06/01_CrackTime_2920-230x160.jpg "Crack Time")
![Pascal Dombis, the artist & Gil Percal, the architect, have collaborated on a large printed glass installation Perspectives Inversées (Inverted Perspectives) that explores the ideas of perspective, viewpoint […]](https://dombis.com/wp-content/uploads/2017/01/01_PerspectivesInversées_PalaisRoyal_31-230x160.jpg "Perspectives Inversées, Jardin du Palais-Royal, Paris")
![The artist Pascal Dombis and the architect Gil Percal have collaborated on a large printed glass public artwork, Irrational Geometric, that produce a vibrant visual effect as one walks past the […]](https://dombis.com/wp-content/uploads/2016/10/09_PD_Perth_2016_HIGHres_490-230x160.jpg "Irrational Geometrics, Perth")
![Pascal Dombis and Gil Percal ‘permanent artwork, Ligne-Flux, is a large printed glass under-face of a footbridge, linking 2 buildings of the newly National School of Architecture in Strasbourg (France). […]](https://dombis.com/wp-content/uploads/2016/09/01_Ligne-Flux_818pix_03-230x160.jpg "Ligne-Flux, 2016")
![There is no true or real “reality”—“Reality” is simply a more or less constant scanning pattern—The scanning pattern we accept as “reality” has been imposed by the controlling power on […]](https://dombis.com/wp-content/uploads/2016/08/01_Basel_ImageisTrappedinWord_11-230x160.jpg "Reality is a Scanning Pattern")
![Mixed_Grill(e) is a site specific installation specifically created for the Textura space in Bogotá. Two walls are covered by a print composed by hundred thousand images from the Google image […]](https://dombis.com/wp-content/uploads/2015/10/01_MixedGrille-Bogota-Oct15_01-230x160.jpg "Mixed_Grill(e), 2015")
![The algorithmically composed film installation The End(less) employs thousands of movie ending footage collected by the artist from all periods of cinema history: from the earliest black and white […]](https://dombis.com/wp-content/uploads/2013/10/Pascal-Dombis_The-Endless_01-230x160.jpg "The End(less), 2013-2020")
![Die neueste Werkgruppe von Pascal Dombis trägt den Titel ‚The Limits of Control‘ und ist durch den gleichnamigen Text von William S. Burroughs inspiriert. Der Text von 1975 befasst sich […]](https://dombis.com/wp-content/uploads/2015/09/01-CONTROL-2015_01_490-230x160.jpg "CONTROL")
![Raygun Art Projects, 249 Margaret St, Toowoomba, Queensland, AUS http://raygunlab.com Project supported by Arts Queensland 7 March 2014 > 1 April 2014 Mixed_Grill(e) is a site specific installation […]](https://dombis.com/wp-content/uploads/2014/03/01_Dombis_MixedGrille_12-230x160.jpg "Mixed_Grill(e)")
![Domaine national de Saint-Germain-en-Laye Château, Place Charles de Gaulles, 78105 Saint-Germain-en-Laye, France [FR] L’installation Perspectives Inversées de l’artiste Pascal Dombis et de l’architecte Gil Percal questionne la […]](https://dombis.com/wp-content/uploads/2013/06/01_Dombis-Percal_PerspectivesInverses_SGL2013_Detail_10-230x160.jpg "Année Le Nôtre, 1613 – 2013, les Nouvelles Folies Françaises")
![01 June > 20 Oct. 2013 Noise, 55th Venice Biennale of Art, Collateral Event Ex magazzini di San Cassian Calle della Regina 2254, Sestriere Santa Croce, Venice – IT […]](https://dombis.com/wp-content/uploads/2013/06/Post-Digital-Mirror_NoiseVenice_01-230x160.jpg "Noise, 55th Venice Biennale of Art, Collateral Event")
![(…) This site-specific floor print installation, exhibited in the TZR Galerie Kai Brückner and titled “Eurasia”, is mostly composed of very long lines of text in different font sizes […]](https://dombis.com/wp-content/uploads/2012/12/01_Eurasia_TZR-April12_46-230x160.jpg "Eurasia, 2012")
![Line_Wave is a video installation composed of lenticular-laminated screens that display generative proliferation of ten thousands of random color lines. During the time, the lines move with a smooth, wavelike […]](https://dombis.com/wp-content/uploads/2013/04/01_Linewave-double-2013_02-230x160.jpg "Line_Wave, 2012-2013")
![4 May – 18 June 2011 Curator: Giancarlo Pagliasso Il Gott ist Tot di Pascal Dombis > English > Italian > Français Claudio Bottello Contemporary, via Bogino 17, […]](https://dombis.com/wp-content/uploads/2012/12/01_God-is-Dead_Bottello_May11_031-230x160.jpg "Gott ist Tot, Claudio Bottello Contemporary, Turin, IT, 2011")
![EXCES I May 13 – June 13, 2010 Die Galerie 96-8 Chungdam-dong Gangnam-gu, Seoul, Korea EXCES II May 14 – June 13, 2010 Seok Gallery 134-12 Bongsan-dong, Joong-gu, […]](https://dombis.com/wp-content/uploads/2012/12/09_EXCES_Seok_View-2-230x160.jpg "EXCES, Die Galerie, Seoul / Seok Gallery, Daegu, KR, 2010")
![Extra_Vague 7 Jun. > 20 Jul. 2012 Galerie RX, 6 Avenue Delcassé, 75008 Paris, France Un nouveau régime des images, par Christine Buci-Glucksman, Art Absolument, Avril-Mai 2012 A […]](https://dombis.com/wp-content/uploads/2012/12/01_ExtraVague_Post-Digital-Mirror_KA3A4A1_11-230x160.jpg "Extra_Vague, Galerie RX, Paris, 2012")
![22 Nov. > 23 Dec. The Space The Cat Street Gallery 210 Hollywood Road, Hong Kong Tel : +852 2361 1210 www.thecatstreetgallery.com Opening hours: Monday to Friday : 11 […]](https://dombis.com/wp-content/uploads/2012/12/Eurasia-HK-Nov12_01-230x160.jpg "Eurasia, The Cat Street Gallery, HK, 2012")
![[ENG] Text(e)~Fil(e)s is a monumental 252-m-long floor ribbon, on which thousands of text lines (literature, poetry, philosophy…) in relation to the Palais Royal proliferate, at different scales. The Palais-Royal, […]](https://dombis.com/wp-content/uploads/2012/11/01-Dombis_Texte-Files_0502-230x160.jpg "Text(e)~Fil(e)s, 2010")
![[ENG] CensorZip explores the notion of censorship in China and built a sensational environment that deals with the legibility of images coming from censored web pages. The mass of […]](https://dombis.com/wp-content/uploads/2012/12/1_CensorZip_1_r-230x160.jpg "CensorZip, 2009-2011")
![[ENG] For these works, a search engine (“Google”) is used to download ten thousand of internet images that match color name keyword like black, white, red, blue, pink … […]](https://dombis.com/wp-content/uploads/2012/12/01_EXCES_DieG_View-13-230x160.jpg "Google_Color, 2007-2011")
![The simplicity of the basic data is important for Pascal Dombis. That is why he uses arbitrary geometrical or typographical signs – rather than representational elements or pictorial fragments […]](https://dombis.com/wp-content/uploads/2012/12/01_PostBelaga_4617-230x160.jpg "Square (Belaga), 2002-2005")
![[ENG] McLove is a work on 2 global symbols. The McDonald’s arch has become a symbol of capitalism and globalization since it is the logo of one of the most […]](https://dombis.com/wp-content/uploads/2012/12/01_19-230x160.jpg "McLove, 2004-2007")
![[ENG] Site specific installation realized in 2001 by continuously printing a geometric proliferation algorithm on a large format printer installed in the gallery. Because randomness was included, each […]](https://dombis.com/wp-content/uploads/2012/12/1_AntisanVirus_64-230x160.jpg "Antisana Virus, 2001-2003")