Pascal Dombis
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4 août 2017
Time Is…, 2017
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22 avril 2017
Meta-Google, 2016-2017
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18 avril 2017
Control, 2014-2017
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9 avril 2017
Meta-Aura, 2015-2017
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18 septembre 2015
Public Artwork, 2016
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18 septembre 2015
Post-Digital Blue, 2013-2016
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17 septembre 2015
Text(e)~Fil(e)s, 2015
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13 mars 2014
Irrational Geometrics, 2005-2015
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9 décembre 2013
The End(less), 2013-2016
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4 décembre 2013
Post-Digital Mirror, 2006-2016
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3 décembre 2013
Post-Digital Surface, 2009-2016
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2 décembre 2013
Grid, 2009-2015
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12 octobre 2013
Eurasia (Google_Color), 2009-2013
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12 octobre 2013
Crack, 2010-2016
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11 octobre 2013
RightRong, 2007-2015
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10 octobre 2013
SpamScape, 2004-2012
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10 avril 2013
Eurasia, 2012
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14 mars 2013
Line_Wave, 2012-2013
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25 novembre 2012
What_Next, 2009-2011
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24 novembre 2012
Xplosion, 2005-2012
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23 novembre 2012
Spin, 2006-2012
1
20 novembre 2012
Text(e)~Fil(e)s, 2010
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19 novembre 2012
CensorZip, 2009-2011
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17 novembre 2012
Gott_ist_Tot, 2011-2012
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15 novembre 2012
Web_Drills, 2009-2013
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14 novembre 2012
Dual (Beyond), 2009-2014
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13 novembre 2012
Google_Color, 2007-2011
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12 novembre 2012
Dual_Google (Beyond), 2008-2013
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10 novembre 2012
Blink, 2005-2009
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9 novembre 2012
Mikado_Xplosion, 2005-2009
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6 novembre 2012
Square (Belaga), 2002-2005
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5 novembre 2012
Hyper-Structures, 2002-2004
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4 novembre 2012
Antisana, 2000-2008
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3 novembre 2012
McLove, 2004-2007
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2 novembre 2012
Antisana Virus, 2001-2003
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1 novembre 2012
Rizong, 1998-1999
![Cité de la Mode et du Design Les Coursives / 34, quai d’Austerlitz 75013 Paris www.citemodedesign.fr 18 Sept. > 4 Jan. 2016 / Everyday, 10 hr til midnight [ENG]...](http://dombis.com/wp-content/uploads/2015/09/1_DombisTexteFilesSept15-detail_01_490-230x160.jpg "Text(e)~Fil(e)s, 2015")
![[ENG] When you take a line fragment and give it a stretch, as you do with the string of a bow, the first result is a curve, then a...](http://dombis.com/wp-content/uploads/2012/12/01_irrageo_vitry_30m_10-230x160.jpg "Irrational Geometrics, 2005-2015")
![[ENG] The film installation The End(less) employs thousands of movie end sequence that Pascal Dombis has collected from all periods of cinema history: from the earliest black and white films,...](http://dombis.com/wp-content/uploads/2013/10/Pascal-Dombis_The-Endless_01-230x160.jpg "The End(less), 2013-2016")
![[ENG] …Cinema created movement-images and images in movement. When used artistically, the new technologies create fractals, rhizomes and the movements of and in the image. We have gone from...](http://dombis.com/wp-content/uploads/2012/12/01_ExtraVague_Post-Digital-Mirror_KA3A4A1_1-230x160.jpg "Post-Digital Mirror, 2006-2016")
![[ENG] In those pieces inspired by a William Burroughs cut-up poem, Pascal Dombis used the words Right & Wrong so they ended up conjuring up Shamanic hymns and lyrics,...](http://dombis.com/wp-content/uploads/2012/12/01_RightRong_220x220_New-230x160.jpg "RightRong, 2007-2015")
![[ENG] SpamScape is based on the proliferation of words commonly used in the electronic mails spams. The spams are these advertising messages, not solicited and sent massively via...](http://dombis.com/wp-content/uploads/2012/12/01_Spamscape2925-230x160.jpg "SpamScape, 2004-2012")
![[ENG] The video installation entitled What_Next ? is tackling ontological questions through answers provided by Internet search engines. These programmes, including the universally famous Google, are used to...](http://dombis.com/wp-content/uploads/2012/12/01_What-are-we_110x110_2011_detail2-230x160.jpg "What_Next, 2009-2011")
![[ENG] Visual forms in Pascal Dombis’ work appear out of the excessive enforcement of autonomous and simple rules. They are not intentionally programmed. He lays down rules and...](http://dombis.com/wp-content/uploads/2012/12/01_Gott-ist-Tot_Bottello_May11_Lenticular-04-230x160.jpg "Xplosion, 2005-2012")
![[ENG] Spin is a digital generative process based on the endless depiction of concentric proliferation of thousands of rotating circles that composes hypnotic structures. The more they spin, the...](http://dombis.com/wp-content/uploads/2012/12/01_RX_ImageFlux_Spin_Vue2-230x160.jpg "Spin, 2006-2012")
![[ENG] Text(e)~Fil(e)s is a monumental 252-m-long floor ribbon, on which thousands of text lines (literature, poetry, philosophy…) in relation to the Palais Royal proliferate, at different scales. The Palais-Royal,...](http://dombis.com/wp-content/uploads/2012/11/01-Dombis_Texte-Files_0502-230x160.jpg "Text(e)~Fil(e)s, 2010")
![[ENG] CensorZip explores the notion of censorship in China and built a sensational environment that deals with the legibility of images coming from censored web pages. The mass of...](http://dombis.com/wp-content/uploads/2012/12/1_CensorZip_1_r-230x160.jpg "CensorZip, 2009-2011")
![[ENG] (…) For his solo exhibition at the Claudio Bottello Contemporary gallery in Torino, the artist found inspiration in Nietzsche’s stay in the piemontese capital. The famous sentence taken...](http://dombis.com/wp-content/uploads/2012/12/01_God-is-Dead_Bottello_May11_03-230x160.jpg "Gott_ist_Tot, 2011-2012")
![[ENG] For these works, a search engine (“Google”) is used to download ten thousand of internet images that match color name keyword like black, white, red, blue, pink …...](http://dombis.com/wp-content/uploads/2012/12/01_EXCES_DieG_View-13-230x160.jpg "Google_Color, 2007-2011")
![[ENG] These works explore the patterns created by an excessive blinking of simple monochrome images. Starting with very simple video loop (like one second white screen followed by...](http://dombis.com/wp-content/uploads/2012/12/1_Blink4321_xxl-230x160.jpg "Blink, 2005-2009")
![[ENG] This piece is composed from an algorithmic explosion of more than one million of line-curves that starts from the ground and covers the building façade. Confronting to the...](http://dombis.com/wp-content/uploads/2012/12/01_mikado_itaucultural_06c-230x160.jpg "Mikado_Xplosion, 2005-2009")
![[ENG] The simplicity of the basic data is important pour Pascal Dombis. That is why he uses arbitrary geometrical or typographical signs – rather than representational elements or pictorial...](http://dombis.com/wp-content/uploads/2012/12/01_PostBelaga_4617-230x160.jpg "Square (Belaga), 2002-2005")
![[ENG] This series is based on the idea of opening and closing geometric space. The increase numbers of curves at different scales generate « hyper-structure » shapes that can be...](http://dombis.com/wp-content/uploads/2012/12/01_StongGeminga248_4871-230x160.jpg "Hyper-Structures, 2002-2004")
![[ENG] McLove is a work on 2 global symbols. The McDonald’s arch has become a symbol of capitalism and globalization since it is the logo of one of the most...](http://dombis.com/wp-content/uploads/2012/12/01_19-230x160.jpg "McLove, 2004-2007")
![[ENG] Site specific installation realized in 2001 by continuously printing a geometric proliferation algorithm on a large format printer installed in the gallery. Because randomness was included, each...](http://dombis.com/wp-content/uploads/2012/12/1_AntisanVirus_64-230x160.jpg "Antisana Virus, 2001-2003")
